Phantom Menace, easily the most eagerly anticipated film of the '90s, returns to the saga's roots and allows Lucas to flesh out the history of some of the fable's core characters and conjure up a dazzling new cast of cohorts, antagonists, and alien realms for them to interact with and in. The Star Wars cycle, George Lucas's stellar pop parable cum merchandising blitzkrieg, has long since made history as an unparalleled cinematic-cultural-marketing phenomena somewhere Billy Jack should be in one envious, ass-kickin' mood. Every fan of Star Wars-and of great music-is in his debt." (George Lucas) "Once again, John Williams has exceeded my expectations and produced a lavish, rich, moving and thrilling score.
The scores of the following two films would rely heavily upon tracking from this score, a decision that Williams and George Lucas had made early into production of the film. Recorded in Abbey Road studios over a week, starting on Februperformed by the London Voices and London Symphony Orchestra, Star Wars Episode I: The Phantom Menace was the first Star Wars score Williams had composed in over 16 years. John Williams edited each track to present the score as one would hear it in a concert suite. and Gold in the UK, containing 17 tracks from selections of the score, meant to stand alone as a separate listening experience and not as one hears the score in the film. This release was certified Platinum in the U.S. The original album was released to accompany the film (May 4, 1999). Info for Star Wars: The Phantom Menace (Remastered)Ĥ0th Anniversary-Edition: Walt Disney Records releases for the first time a 192kHz, 24bit edition of the remastered original motion picture soundtrack for Star Wars: "The Phantom Menace".
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